1. The Art of War re-translated and reconsidered Peter Gordon, Asian Review of Books
  2. Interview with Svetlana Alexievich (life behind the Iron Curtain) Julian Tompkin, Deutsche Welle
  3. Mutually nonconsensual sex (Title IX is a joke) Caitlin Flanagan, the Atlantic
  4. Reagan’s Right Turn George Nash, Modern Age

Halliday’s ‘The World’s Twelve Worst Ideas’

I came across a collection of essays and blogs by the late Fred Halliday, entitled Political Journeys (2007), published in the last few years of his life. Halliday, who died in 2010 at only 64 years of age, was one of my professors in the International Relations Department at the London School of Economics in the mid-nineties. By some standards he was the big departmental star, not only as a researcher, but also as a public intellectual.

Like most professors he was firmly left wing, a former communist who moved somewhat to the centre. To his credit, his teaching was immaculate: you could not tell his political ideas from his lecturing or the extensive international political theory reading list he gave. He was known for his expertise of the Middle East, revolutions, and his feminism. But he was also a good theorist, and his book Rethinking International Relations (1994) is especially a real treat.

While going through Political Journeys my eyes fell on a piece about ‘the world’s twelve worst ideas in 2007’. Most of them still stand, also from a classical liberal and libertarian viewpoint, and warrant a full discussion by themselves. Yet for now I just list them here, in descending order, with short explanations between parentheses when not self-explanatory:

12. human behaviour can be predicted (against the scientific fallacy in the social sciences)

11. the world is speeding up (large areas I human life still consume the same amount of time as ever before, despite acceleration in other areas)

10. we have no need for history

9. we live in a ‘post-feminist epoch’ (still a need for feminism, given the position of women in most parts of the world)

8. markets are a natural phenomenon, which allow for the efficient allocation of resources and preferences (clearly I strongly disagree with Halliday here, although he seems to mix up real free markets and those characterised by government interference)

7. religion should again be allowed, when not encouraged, to play a role in political and social life (points to the fight against the influence of religion on public life)

6. in the modern world we do not need utopias (aspiration to a better world as necessary part of the human condition)

5. we should welcome the spread of English as a world language (while practical it comes with cultural arrogance by the Anglo-Saxons)

4. the world is divided into comparable moral blocs or civilisations (there is indeed a set of common values shared across the world)

3. diasporas have a legitimate role to play in national and international politics (refutes the idea that diaspora have a special insight into their homeland, and Halliday then points to the negative and backward role in the resolution of the conflicts in their countries of origin)

2. the only thing ‘they’ understand is force (plain colonial and hegemonic thinking)

1. the world’s population problems and the spread of AIDS can be solved by ‘natural’ means (against those who oppose condoms use and other contraceptives)

White rappers and hip hop culture

Post Malone has been at the heart of some manufactured controversy recently. Complex and other hipster millennial outlets (x, y) have criticized his appropriation of braids, grills and slang (AAVE), as a white man who has recently made a name in hip hop.

I’m a college student in the Californian city with the highest rate of binge drinking (and a lot of partying). Just like rock n roll replaced jazz, hip hop has replaced rock as the club genre. And Post Malone is popular. I have never once heard someone complain about Post Malone in real life. The first time I heard his genre-fusing cooing was in a Mustang with my Mexican roommate and his girlfriend. I thought it was shit. He found “White Iverson” good enough to turn up the volume whenever it came on, and radio stations are notoriously abusive with new rap singles.

Last year you would see Latina and black classmates dancing to Post Malone at any of Chico’s backyard parties. No one thought he was culturally appropriating, or if they did, they didn’t care. His music sounds good to them. That’s what matters.

Post Malone has said some things in interviews and online that pissed off journalists and maybe a handful of other people with the time to be bothered. One of those things was the n-word, used once on Snapchat long ago. More recently, he stated that the modern hip hop landscape is sort of deficient in conscious rappers, rappers who will talk about “real shit,” and that “If you’re looking to think about life, don’t listen to hip hop.” Some easily offended artists, particularly those who are listened to almost exclusively by white people — Lil B, Earl Sweatshirt and Vince Staples — responded angrily.

In Complex‘s piece, the author was upset with Post Malone for dumbing down the music scene. Funny. XXL, one of the largest hip hop news outlets, which runs (and endorses) a group of up-n-comers every year, had the most lyrically-inept roster in recent history for their 2017 edition: Ugly God, Madeintyo, A Boogie With A Hoodie, Playboi Carti, Kap G, then a few alrights, and a single prodigy who’s now off to prison. (Playboi Carti can’t even rap. He really can’t.) I’m sorry to inform Complex, but the focus of hip hop is about hedonism right now. That’s how it is. No one gives a damn about J. Cole after 2014 Forest Hills Drive, and Kendrick Lamar sold out on his last album.

Since gaining fame, Post Malone has worked with Quavo (of Migos) and 21 Savage. Why didn’t these artists call him out for stealing black culture? And if Post Malone is destroying the often-intelligent culture of hip hop by exclusively sampling stereotypes and gangster imagery… why does no one care that Migos and 21 Savage are doing the exact same thing? Post Malone has also worked with Kanye West, who, again, didn’t care that he is white and immersing himself in the culture. Kanye has a lot of rap clout. So if Post Malone gets Kanye’s approval, what sort of validity do the rest of us have?

Granted: racial slurs are a reasonable line to draw for white artists. But Post Malone apologized and he’s clearly not a racist. What more is there to say?

There is no standpoint epistemology that can be non-arbitrarily applied here. Many people would like to say that white fans are ruining hip hop or that hip hop has always been about criticizing white power structures or some other ahistorical, revisionist narrative. No.

Hip hop is not just a personal liberator. Hip hop is for everyone. Hip hip is a product of black culture but black culture is no monolith. The standards for hip hop change. The style changes. The message is not singular. Kendrick Lamar’s “Alright” has become an anthem for the Black Lives Matter movement. Why? Kendrick’s own personal viewpoints on the struggle for black liberation align much closer with Tupac Shakur’s — the perspective that real change must start in black communities, and any problems with the police and white authorities are secondary or tertiary. Have the organizers at BLM listened to Kendrick’s work before good kid, m.A.A.d city? Did they loop “Alright” so much from To Pimp a Butterfly that they skipped “The Blacker the Berry”?

Do these people want to pretend that all old school hip hop flowed from the mouth of Gil Scott-Heron? Have they listened to “Rapper’s Delight”? What about 2 Live Crew? “If you’re looking to think about life, don’t listen to hip hop”: Post Malone was being provocative, clearly. But hip hop is no special fountain of consciousness and enlightenment. It’s got even more sex and drugs than does rock n roll. Travi$ Scott came on the scene just to rap about partying — and he’s still a fantastic, infinitely creative artist. We will see more and more of this, just like we always have.

To all of this, it might be replied that white people are stealing hip hop like they stole rock n roll before. But music is not zero-sum. One artist’s creation does not prevent another artist’s creation, and especially now, there is always billboard room for more. Action Bronson is, stylistically, a carbon copy of Ghostface Killah (I mean, the off-brand version). But Wu Tang’s spotlight is long gone. A new artist for a new generation is no loss for the old artist, no disrespect to Ghostface. And now, if we look to anticipate the emerging future for hip hop (à la Soundcloud etc.), the new (black-led) wave is directly sampling from historically white inputs: radio rock, nu metal, grunge. Or even East Asian anime influences.

The attacks on Post Malone and the like are part of a larger guerilla ideology. They are one aspect of the cleansing of hip hop (an outrageously politically incorrect discipline) in general. I was in a recent dispute with a female friend over the outro from a song I like, as it came on shuffle:

Well with a pimp we gotta keep pimpin to have a b–h and that’s what she yearns for. She yearns for the pimpin. And once you keep f–king with pimpin, that square is a trick. It turns it from a square to a trick. Why she gone lay with a trick? It’s the nastiest lowest form of a motherf–ker. Pimps do what they wanna do. Hoes do what they’re told. And squares does what they can. They just do what they can. You see what I’m sayin?

She thought it was misogynistic. Sure, yeah, it is. But it’s a sample from a movie and that movie is about life on the streets. And that’s what’s going on. Hip hop tells stories.

I haven’t seen “American Pimp,” from which the sample is cut. But most of us would recognize that the quote is referencing, knowingly or not, the Melian dialogue from Thucydides’ History of the Peloponnesian War from twenty four hundred years ago. It is 5th century B.C.E. and the Athenians are preparing for war against the Spartans. The Athenian army, under the direction of Cleomedes and Tisias, sends an expedition to the island Melos for conscription. The Melians, a small Spartan colony, would prefer to stay out of the conflict. In a classic statement of realist political philosophy, the Athenian representatives disregard abstract moral claims and tell the Melians, straight up: join the empire and fight for us, or be enslaved and massacred. There is only a question of morality between equals, and all that truly matters in politics is power:

For ourselves, we shall not trouble you with specious pretences — either of how we have a right to our empire because we overthrew the Mede, or are now attacking you because of wrong that you have done us — and make a long speech which would not be believed; and in return we hope that you, instead of thinking to influence us by saying that you did not join the Lacedaemonians, although their colonists, or that you have done us no wrong, will aim at what is feasible, holding in view the real sentiments of us both; since you know as well as we do that right, as the world goes, is only in question between equals in power, while the strong do what they can and the weak suffer what they must.

The Melians decide not to give up their freedom, and bet on the odds that they will be aided by the Lacedaemonians, asking only to be left alone. The Athenians withdraw from the conference. The next winter, they siege the Melians into surrender then slaughter all the men and sell the women and children into slavery.

The point is: hip hop can rhyme about snorting cocaine off of a stripper and then reference classical Greek literature in the same song. We don’t really get that sort of postmodern syncretism in other genres. Hip hop is a bastion of creativity and subtlety as well as vulgarity and cruelty. Let’s hope it continues to surprise and offend us.

So let Amber Rose organize Slut Walks promoting sex positivity and feminism while her boyfriend 21 Savage raps about gang bangs and punching women in the face. Rap is for everyone and thus also the scumbags. Hip hop is a free speech fest, an untouched final frontier not yet contorted into submission by the thought police. What the people want is a good 808 and an album every couple months, not another stern voice to lecture them into moral and cultural conformity.

Hip hop has always exhibited the brute political realism of Thucydides’ History. More can be learned about the realities of American government from listening to Bone Thugs-N-Harmony than sitting in a political science class. Its willingness to stay down and dirty is its signature trademark. So cultural appeasement and cleanliness can have everything else: it can have our vocabulary, it can have our media, it can even be enforced by government for all I care. Just keep its indelicate hands off hip hop.

Is the United States a patriarchy?

When someone — whether laypeople, like Jill Soloway or the writers at Buzzfeed, or academics, like bell hooks — describes the United States as a “patriarchy,” it is unclear to me what they intend to mean. Maybe this sounds irreverent, but women serve in every level of government — executive, judicial and legislative, at this point only never occupying (and losing only by a close margin) the upper echelons of the presidency. Just this week in Georgia, a woman won a House seat in an election where her opponent was a well-financed white male. If we look at influential powers beyond government, women own some of the largest hundred-billion dollar corporations in the west. Women are the majority of teachers, arguably one of the most influential concentrations of quasi-political power in a democratic republic. As a voting bloc they’ve had much sway in all elections since suffrage. 

So, to understand what someone means when they insist that the States is still a patriarchy, it might be appropriate to ask: Would the United States still be a patriarchy if Hillary Clinton had won the election? 

It’s a yes or no question. There are two possible responses. 

If the answer is “No, the United States would have no longer been a patriarchy,” then we’ve clarified something — we’ve singled out a condition under which the States would cease to be a patriarchy (namely, φ: electing a woman to the highest position of executive power). Someone answering “No” stipulates that there is a certain achievable goal under which patriarchy would cease. Now, why did Clinton lose the election? Not, as some people would like to believe, because of pervasive American sexism — rather, because of a variety of complicated reasons that can in no way be reduced to misogyny. Donald Trump did not win simply because Clinton was a woman. That was not a decisive factor. However, now that the individual has clarified under what condition (φ) the state of patriarchy could be dissolved, and we know that this (sufficient) condition could be achieved at any given election cycle — that men only occupying the presidency for the last few terms has been a purely contingent state of affairs — then we know that the term “patriarchy” only trivially applies to the United States. We know that, essentially, use of the term “patriarchy” is only appropriate because a male currently sits in the Oval Office. It might follow from this answer that were Clinton in office, America would even be a matriarchy. Now, by designating φ as nullifying the term “patriarchy,” the person has demonstrated that the term, applied now, can hardly condemn at all (as it only specifies one stage in a democratic process), and all the baggage it carries loses much of its weight. A woman could occupy the presidency at any time. If she does, then the patriarchy will be dissolved. Thus, the patriarchy could be dissolved at any time, the U.S. is not innately a patriarchy, and the term carries only taxonomic weight. (Not to say it may not carry particular emotional weight, but it does not carry damning weight.) 

However, the person is unlikely to answer this way. Few agreed that racism ended when President Obama took office, and of course it didn’t. The two are not the same, but let’s examine what happens when they choose the other response.

The other possible answer is “Yes, the United States would still be a patriarchy if Clinton had won.” If this is the case, then we know, first of all, that a woman occupying the most powerful position in the world would still not be enough to end patriarchy. Certain consequences follow from this. There would seem to be less incentive for believers in a patriarchy to work to elect female politicians, or female board members, or encourage female participation in science or engineering — women in power, just in and of itself, is not enough. Presumably, it has to be the right kind of woman power; the people that answer this way don’t think of Clinton as feminist or progressive enough; her engagement with politics is no better than another conservative man’s political engagement. What these people want is large-scale cultural and political change. Patriarchy is not about women holding power, it is about the “mental, social, spiritual, economic and political organization/structuring of society produced by… sex-based political relations… reinforced by different institutions… to achieve consensus on the lesser value of women” (A. Facio, “What is Patriarchy?”). Or more simply, it is a “social system that values masculinity over femininity” (M. Watanabe, Feminist Fridays). 

I rarely encounter succinct definitions of patriarchy (much less in terms through which progress can be made), yet it is still nonchalantly applied in certain political circles. Often, when parts of the definition do make sense, they’re false. Modern-day societies — at least capitalist ones — are not “organized” in any way intelligible by Facio’s definition; political relations are rarely, in the Western world, defined by sex or gender. One element that seems central to a definition is the over-valuing of “masculine” qualities over “feminine.” Glossing over the problem of defining these (even discussing them seems to be submitting to gender stereotypes), the value a society places on certain qualities is only the aggregate values of its individual members. Different people have different preferences. The idea that a society might completely equalize its values — why would we ever expect that to be possible or desirable? — seems to suggest superimposing someone’s idea of a perfect value set onto all others. Regardless, it’s unclear why, from some estimation of sexism in a culture, we need the introduction of a political term, using “-archy.” There must be more to it to make that term appropriate. It’s still unclear.

The problem of answering the question with “Yes” is that we still lack a condition, e.g. φ, by which we can dissolve the patriarchy. Under what circumstances will that word no longer apply? Otherwise, it is meaningless. Many of the proposed explanations evoke “institutions” — things never explicitly defined, and when critically examined, are revealed to be either nonexistent or too heterogeneous to dub patriarchal. If these institutions in America are supposed to be, say, the legal system or the education system, and these institutions are supposed to give America its organizational status, then in fact America is a matriarchy, due to the distribution of power present in these systems. If income-bracket is supposed to be an institution, then there might be a case to be made; men, on average, earn more (because they are in higher-paying positions), but this is probably not because they are men, or because our civilization favors them so, but rather certain contingent factors (such as career choice). This, again, would show America to not be innately patriarchal, “institutionally,” but temporarily, accidentally.

Sexism exists, to a much higher degree toward women than toward men. Does this mean we have to call America a patriarchy? No. The term “patriarchy” could do with some clarification, and not just from the ivory tower — with the same methods of analysis that we use to identify a system as a republic, dictatorship, or whatever — or be put to rest. The term is so abstract as to defy any analytic understanding, and its only coherent definition — a society or government run by males — either does not fit the United States or fits it only trivially. 

Speech in academic philosophy: Rebecca Tuvel on Rachel Dolezal

A few days ago, controversy exploded in the world of academic philosophy as a new article, published in the feminist philosophy journal Hypatia, earned itself a letter calling for retraction by over eight hundred scholars on the basis that its availability “causes harm.”

Rebecca Tuvel’s article, “In Defense of Transracialism,” argues that the same sort of theoretical support used to justify transgender persons entails, logically, support of the transracial individuals. Tuvel details the claims of Rachel Dolezal, who made major news last year, as a woman “presenting as a black woman for some years [though] her parents are in fact white” (Tuvel, 263). She posits sensible criteria that seem essential to a “successful identity transformation”: self-identification and the willingness of society to accept an identification. Then, she covers literature from biology, neuroscience, and critical race and feminist theory, to ultimately present the idea that, potentially, a concept of racial identity could turn on those criteria rather than notions like ancestry due to exclusionary concerns, a “normativity problem” (274).

The paper is about what our acceptance entails. Although it is entirely about furthering tolerance, the treatment of Tuvel online has been egregious. Some of it can be found on Twitter. One of the more extreme takes, by Nora Berenstain (archived here), outright accuses Tuvel of violence. In a response, Tuvel says she has received hate mail, but that few online have actually dealt with the questions of her article. Brian Leiter even offered to set up a fundraising endeavor if Tuvel decides to seek legal reparation for the defamation circulating online, as it could causes issues with her professorship. Hypatireleased a statement apologizing for the article, saying now they understand it was “unacceptable.”

Why was the feminist philosophy community so upset?

Daily Nous, a philosophy blog, has outlined the reasons the writers of the open letter gave for retracting Tuvel’s essay, and the shortcomings and incoherence of those reasons. Upon reading her essay, one finds that Tuvel is empathetic to trans causes, is entrenched in critical and queer literature, and genuinely only wants to explore some philosophical issues raised by Dolezal’s claims. Some of her offenses, according to Berenstain and the open letter, were deadnaming (using a transgender person’s previous name), using terminology like “transgenderism,” discussing biological sex, and not citing sources by black authors.

These particular misdeeds ran the gamut on social media. The open letter accused Tuvel of some academic concerns like mischaracterization and unpopular vocabulary. Critics on Twitter were more concerned with focusing on Tuvel as a “cishetero white wom[an refusing] to listen to cis black women and trans folks,” committing “cis white bullshit.” Noah Berlatsky wrote a shallow criticism that spends most of its time discussing how the article will be used against transpeople, and the other large bulk on Tuvel’s ignorance of history — as if history is somehow relevant to the logical consequences of a few philosophical commitments. He, again, fails to engage with it academically. It’s true that Tuvel could have incorporated more work on trans history; it’s also true that it in no way effects her basic argument.

Some responses revealed the ideological reasons for opposing Tuvel’s research. Dianna E. Anderson writes, “my problem as a philosophy undergrad… [was that] philosophy seems to separate itself out into a moral vacuum where every question is ‘just asking’ … there has to be a moral framework guiding which questions you’re asking and why … that’s why I grounded my higher education in Women’s Studies, where moral parameters are drawn around questions.” Incidentally, this is one of the two reasons the Church censored Galileo: first, it thought Galileo to be factually inaccurate; second, it had a boundary — theology of the Bible — past which speculation could not take place; cosmological and astronomical theorizing were not to transgress this line. Anderson commits herself to Women’s Studies as a place where stifling zones are set up; dogmas that may not be passed. (Funny enough, the first reason the Church employed censorship has not been picked up by Tuvel’s opposition.)

The non-scholarly attacks on Tuvel don’t hold water, which a short turn to the essay reveals. Daily Nous covered most of those points, and Jesse Singal at NY Mag addressed, again, the extent to which the criticisms avoided a critical look at the actual arguments contained within. Tuvel is not a transmisogynist. For some people outside of feminist academic philosophy, she would probably even seem like a caricature of an “ultra-leftist.” The attacks on her are antithetical to academic humility: among them ad hominems, appeals to authority, slippery slopes and strawmen. The academic environment necessary for such an unscholarly attack on a philosopher for not being aligned enough with the contemporary orthodoxy — and that is all it seems to boil down to — is very unnerving to those acquainted with the historical censorship of ideas. Adding to this, Hypatia is named for Hypatia of Alexandria — a female Greek philosopher murdered for inciting controversy. The irony seems to be lost on everyone.

The reasons given in the open letter to retract the article seem to merit, at most, a slight semantic revision. The scholars, among them Judith Butler, instead want a full apology and censorship. So then, what remains is to ask about the environment of philosophy that enabled this. Hypatia identifies itself as a “forum for cutting-edge work in feminist philosophy” … it also states that “feminist philosophy arises out of diverse traditions and methods within philosophy,” and commits to engage and uplift diversity within the field. Diversity in a continental philosophy journal might mean pluralistic methodology, e.g., hermeneutics, phenomenology, deconstrucion, dialectics, etc. Here, instead, the emphasis is on diversity of identity, which is seen as the foundation of “lived experience” (per the apology), which, it is conferred, provides access to enriched understanding.

Viewpoints from identities outside the mean are given an authority justified by conditions of their birth, rather than the authority of sound argumentation. What is important is some sort of status possessed. There’s an analogue available from another field in humanities: F. A. Hayek was opposed to the Nobel Prize in economics on the argument that no economist should be given so much power: the award “confers on an individual an authority which in economics no man ought to possess… the influence of an economist that mainly matters is an influence over laymen: politicians, journalists, civil servants and the public generally.” In essence, the argument becomes lost; the audience awards merit and attention based on something other than good reasons. In the case of Hypatia‘s readership, the audience seems to award attention based on identity.

It is, however, truly naïve to think the history of philosophy is the prevailing of logic over fallacy; that schools become popular because of their intrinsic validity, that logos always triumphs over our other baser means of evaluation. All sorts of humanistic factors, like creativity, freshness, propaganda, aesthetic appeal and explanatory power serve to elevate certain philosophies or cosmologies over others. This multiplicity of influences, however, doesn’t mean that reason as a guiding principle should be explicitly subsumed under the authority of influences like pathos or ethos, or skin color.

“In Defense of Transracialism” used argument to attempt to unravel some ongoing mysteries about gender and race. Tuvel approached the question of transracialism from a commitment to other philosophical commitments about gender and sexual identification. It was a question about what follows from our beliefs. Per Plato, philosophy begins in wonder: the critical endeavor to evaluate even our most cherished opinions, explore the incomprehensible world, and examine what incongruities appear in our web of belief.

Because of this, her essay was decisively feminist, in that it examined natural consequences of feminist theory while retaining some basic tenets (like the validity of transpeople, and, maybe, racial social constructivism). Combined with her level of analysis, there’s no question that it could only belong to a feminist philosophy journal. And it does belong.

Her article was criticized not for failing to reach sufficient level of rigor in analysis, but for insensitivity in dealing with touchy subjects. Imagine if Frank Jackson had never published his thought experiment on Mary’s Room, about the experience of the color red, for fear of offending the colorblind. Or if Descartes never released his Meditations, for fear the wax example would offend vegans that don’t eat honey.

In fact, returning to the 17th century, the Tuvel situation is reminiscent of Descartes’ reluctance to publish on the heliocentric universe, after the Inquisition’s treatment of Galileo a few years earlier. When professors in the academic philosophy community, like Nora Berenstain, condemn Rebecca Tuvel for “discursive violence” for publishing an article, and call for retraction rather than debate, it aligns Tuvel with Hypatia of Alexandria, Boethius, von Hochheim, Galileo, Łyszczyński and others as victims of orthodoxical demands for acculturation and censorship in their honest pursuit of advancing understanding.

Berenstain would have been better to react as Tolosani did against Copernicus, attempting to use philosophy and scientific data to dismantle the latter’s controversial viewpoints. Instead, Tuvel’s apparent lack of citations for black or trans authors (though there are plenty of nonwhite philosophers — Quayshawn Spencer, Charles Mills, Meena Krishnamurthy, Esa Diaz-Leon (detailed here) — who have entertained the idea that Dolezal could be transracial) was like a crime to a community not concerned with analysis, as analytic philosophy is supposed to be, but a bizarre appeal toward identitarian ethos. Tuvel says “Calls for intellectual engagement are also being shut down because they ‘dignify’ the article.”

By acquiescing to the complaint, Hypatia has allowed for the possibility of a “chilling effect” on speech in academia: authors may self-censor to fit orthodoxy or risk the hate mail and potential threats to tenure Rebecca Tuvel now faces. This is disastrous for the institution of knowledge and a culture that used to be centered around expression. In the words of Greg Lukianoff, free speech is a cultural value, not just something on the Bill of Rights. “Free speech is the antithesis of violence”: it was created, as an innovation, so that we wouldn’t need the threat of force to settle issues.

Tuvel’s conclusion — “that society should accept such an individual’s decision to change race the same way it should accept an individual’s decision to change sex” (275) — is not violent, nor are her premises or methodology. Censorship in philosophy mirrors censorship on campuses: much like protestors disrupted Charles Murray without engaging with his research (and possibly completely misunderstanding it), philosophers chastised Tuvel for minor semantic offenses or lack of adherence to certain trends; each offender expressed heterodoxy where only homogeneity was desired.

The path of philosophy, from Plato to Putnam, has always been controversial. Race and gender, multicultural studies professors always declare, are exceedingly difficult to talk about: therefore, they are perfect fodder for philosophical exploration. To deal with these concepts, one does not have to be black, white, male, female, cis, trans or non-binary — one must only desire honest discovery, and proceed with argument in a way that is open to debate. The last established orthodoxy in philosophy was Stalin’s enforcement of dialectical materialism in the Soviet Union, when laws of statistics, Einstein’s theories of relativity, evolutionary biology and non-Pavlovian psychology were dismissed as pseudoscience. In a free society, the best way to deal with unfamiliar opinions is to debate them, not to call for censorship.

There are only two ways an argument can be wrong: the premises are false, or the conclusion does not follow. The attacks on Tuvel showed an unwillingness to examine either. Without willingness to argue, philosophy — and clarification on these important, mysterious issues — will suffer.