The French-Algerian author and philosopher Albert Camus is unarguably one of the most read and thought-provoking intellectuals of the 20th century. Although he mainly gained attention through his philosophical theory of the absurd, which he carefully and subconsciously embedded in his novels, Camus also decisively contributed significant ideas and thoughts to the development of freedom in the post Second World War era. That is why I want to present you five little known things we still can learn from Albert Camus’ political legacy.
Oppose every form of totalitarianism
After the Second World War, socialism spread across Eastern Europe and was proclaimed the alternative draft to capitalism, which was regarded to be one of the reasons for the rise of fascism in Germany. On the other side, socialism was believed to bring about freedom for everybody in the end. Even though many intellectuals at first were attracted by the socialist ideology, Camus instantly saw the dangers of its predominant “the ends justify the means” narrative. He justifiably considered the vicious suppression of opposing views in order to obtain total freedom in the future as an early shibboleth for totalitarianism.
To achieve self-realization, an individual needs personal freedom, which is one of the first victims of totalitarian despotism. Thus, Camus vigorously fought against right or left authoritarian proposals – and for individual liberty, which lead to his conclusion: “None of the evils that totalitarianism claims to cure is worse than totalitarianism itself”.
A diverse Europe
If one thing is for sure, then it is Camus’ unbroken love for Europe. However, his conception of Europe does not portray the continent as a possible source for collectively controlled industry, military or thoughts. In contrast, he depicts Europe as an exciting intellectual battlefield of ideas, in which for 20 centuries people revolted “against the world, against the gods, and against themselves.” Thus, European people are unified through shared ideas and values rather than divided by borders.
That is why he forecasts the emergence of an unideological Europe populated by free people and based on unity and diversity already in 1957. Although he felt a strong love for his homeland France, he notes that an expansion of the realm he defines as “home” does not necessarily affects his love in a negative way. That is why he later on even argued for the “United States of the world.”
Nihilism is not a solution
In “A letter to a German friend” Camus remarks certain similarities between him and the Nazis regarding their philosophical starting point. They both reject any intrinsic, predetermined meaning in this world. However, the Nazis derive an arbitrariness of defining moral categories such as “good” and “evil” as well as a human subjugation to their animal instincts from this perception. Thus, it is allowed to murder on behalf of an inhuman ideology.
Contrary, Camus insisted that this nihilism leads to self-abandonment of humanity. In turn, he argues that we must fight against the unfairness of the world by creating our own meaning of life in order to achieve happiness. If there is no deeper meaning in our existence, every person has to seek happiness in his or her own way. When we accept our destiny, even if it devastating at first glance as he describes it in “The myth of Sisyphus”, we can pursue our own goals and therefore fulfil our personal meaning of life.
Total artistic freedom
Considering his artistic background, Camus’ conception of the value of freedom is quite interesting. Classical liberalist such as Locke and Mill regard freedom as the state of nature: The man is born free and thus freedom is the natural state of any person. Liberty for Camus instead is a necessary condition to fulfil every personal perception of the meaning of life. That is why he particularly emphasizes the invaluable worth of liberty for humanity: When people are not free, they cannot pursue their own meaning of life and thus achieve happiness in an unfair world.
Considering the immense value art personally has for Camus, it certainly reflects a major component in his personal equation towards fulfilment, alongside other interests such as sports and love. Hence, it is not surprising that he was a lifelong supporter of total artistic freedom, which prevents nobody from obtaining happiness through individual perceptions of art. That is why he famously concludes “Without freedom, no art; art lives only on the restraints it imposes on itself and dies of all others.”
Abrogate the death penalty
In the chilling essay “reflections on the Guillotine” Camus insists on the abolishment of the death penalty. Apart from different scientific arguments such as low efficiency and a non-existing deterrence-effect, Camus also points out the general moral fragility of the death penalty: He is deeply worried by the state privilege of deciding over life and death. This privilege is exploited through the death penalty, which solely is a form of revenge. On the contrary, it is only triggering an unbearable spiral of violence instead of preventing it. Alternatively, he argues for being set at labour for life as maximal punishment.
Albert Camus was not an Anarcho-capitalist nor was he a libertarian. Nevertheless, he regarded individual freedom as an essential element of society and examined the inseparable relation between freedom and art. Every true work of art increased the inner freedom of its admirer and thus free art gives scope for individual happiness. One can never solely serve the other – they presuppose each other. Because of his artistic and philosophical roots, Camus provides an unusual moral argument for individual liberty, which makes him worth reading even today.