That’s the title of my Tuesday column over at RealClearHistory. An excerpt:
The relevant socio political commentary is more interesting, in part because people today still use the film to attack media moguls they don’t like (such as Fox News’ Rupert Murdoch). One narrative about the film’s sociopolitical impact even likens the film to a subtle anti-fascist, and pro-war, production because of the attention it draws to the immense power media moguls wield, and the incentive structures they face (and produce). This argument has at least some bite to it, as one of America’s most powerful media moguls in the 1940s, William Randolph Hearst, refused to give the film any sort of advertisement in any of his many publications. This blackballing on the part of the powerful led, of course, to the Citizen Kane’s relative flop at the box office.
Read the rest, baby!