- Yield-curve inversion and the agony of central banking David Glasner, Uneasy Money
- Ossian’s Ride: wild Irish science fiction I’d never heard of Henry Farrell, Crooked Timber
- The pioneers of cultural relativism did a lot of good, too Patrick Iber, New Republic
- Umberto Eco: Champion of popular culture Paul Cobley, Footnotes to Plato
- The Dark Forest theory: why aliens haven’t contacted us yet Scotty Hendricks, Big Think
- China’s “Dark Forest” answer to Star Wars optimism Jeremy Hsu, Lovesick Cyborg
- On the tradition of “Chinese unity” in geopolitical thought Nick Nielsen, The View from Oregon
- Rice Peter Miller, Views of the Kamakura
I wish fantasy novels offered more political diversity. I adore fantasy, but I’ve begun to chafe at the ironic lack of creativity when it comes to political regimes. The genre may be missing a great opportunity. Or maybe I’m reading the wrong books.
While I don’t really mean this as a criticism so much as an observation, monarchy and feudalism abound in most other-world fantasies. Or the politics are indistinct. Despite my deep love for Tolkien, he falls into this category as well–either political control is unclear in regions like the Shire, or the region is ruled by an absolute ruler. His most well-known series culminates with the return of the benevolent dictator to the throne, Aragorn King of all the Dunedain (granted, there is intentional Christian symbolism here).
Modern fantasists follow a similar trend. Brandon Sanderson’s books, while wonderful, tend to involve worlds replete with absolute rulers. In fact, in the original Mistborn trilogy, a naive emperor tries to impose a more representative system of government, fails, and then decides that a firm hand is what’s called for. He and other authors like Robert Jordan dabble with some interesting political ideas and do provide a great deal of political detail, but they ultimately tend toward absolutism of some variety. Terry Pratchett’s main city-state on Discworld, Ankh-Morkpork, is ruled over by an absolute ruler, but Pratchett at least takes plenty of opportunity to poke fun at the masses’ constant yearning for a noble king to tell them what to do. Really, all these books are splendid, and politics are typically not their centerpiece–I just think some more variety may be valuable to the genre. (I’m not pointing fingers, as I’m guilty of the same problem–my forthcoming fantasy novel takes place in an empire with an absolute ruler and a largely meaningless parliament).
Fantasists could perhaps take a page from their science fiction comrades, where experiments with politics seem more common. Fantasy authors could do more than tinker with small tweaks to the monarchy and mercantilism of a pre-enlightenment age. I can’t help but roll my eyes when I hear Tyrion Lannister on Game of Thrones gushing about how Daenaerys Targaryen is the only person who can swoop in and save the Seven Kingdoms from itself. That’s remedial polisci–surely we can do better. Who wouldn’t want to read about an anarcho-capitalist Iron Islands or a post-communist King’s Landing?
If you have any good recommendations for other-world fantasies that take up this challenge, I’d love to hear them!
The Doctor has always had a special preference for the Brits. They flit in and out of the wondrous and often alien-infested towns of England, woo them with their British (briefly Scottish) accent and manage to introduce to the kids (it was originally intended to be an educational program for the kids) some moral propositions. The last few seasons have been famously against war and violence of any sort. The regenerated Doctor retains the abhorrence for violence as a means for conflict resolution. And it is conflict resolution that the Doctor sees as their purpose of life. To find out who, in the big, vast universe, needs help and to give help whenever asked for.
The latest season is iconic. The Doctor is a female for the first time. The Doctor has reached the end of their regeneration cycles. This is to be the last and final life of the alien problem solver who seems to love humanity more than they ever will. But in the two episodes that have been released, the Doctor has also thrown sufficient shade at Brexit and the events that have unfolded since. The first episode contains a superbly written but not so subtle speech about evolving while retaining past identities. With their signature kindness, they try to convince the villain that change is possible, and it does not require jettisoning who we were to become a better version of ourselves. The second episode reinforces the importance of sticking together. The moment where the Doctor triumphantly yells ‘Stronger Together!’ is especially noticeable. Many see the message of diversity in the inclusion of a female ethnic companion (although the Doctor has previously had POCs as companions), the dynamic between the two male companions (a white male step-grandfather and a black male step-grandson) mirrors the generation gap that was evident in the Brexit vote.
The symbolism is relevant for two reasons. Firstly, the Doctor has not displayed political undertones previously. The change reflects how the creators and possibly the entertainment industry views their jobs. Perhaps the seepage is unintentional. It must be difficult to disentangle oneself from the events unfolding all around you. Secondly, and most importantly, as a series that has come to be a part of the British culture, the Doctor wields considerable power. The Doctor represents England in science fiction. The Doctor promoting teamwork sends a powerful message about inclusion (albeit with not much debate, but we have a season left for that!).
The timelessness of the series is both a gift and a curse. Just like the chauvinist Doctors of the past have been judged harshly (by the new-age Doctor them self), the latest Doctor too runs the risk of judgment from future generation. Or maybe they will be revered and celebrated for being so sure of their position. Just like Brexit, we won’t know. For now, let us travel across time and relative dimension in space and hope for the best, just like the Doctor.
- Reclaiming Full-Throttle Luxury Space Communism Aaron Winslow, Los Angeles Review of Books
- Elves and Aliens Nick Richardson, London Review of Books
- Imperialism, American-style Michael Auslin, Claremont Review of Books
- The Congo reform project: Too dark altogether Angus Mitchell, Dublin Review of Books