Thus the Astor Place, like every other theater in the United States, was unable to make itself too exclusive. Its founders, like those who founded the republic itself, had to find a way to live with an equality that was democratic in nature. Democratic equality was, and is, a different monster than the equality Europeans had been grappling with since Late Antiquity (the tail end of the Roman Empire). The old equality was based on Christianity and on the feudalistic property rights regimes that undergirded Europe. Democratic equality, on the other hand, is based on notions of self-rule and on capitalistic property rights. Basically, in Western culture, free men and money replaced piety and honor when it came to mutual understandings of equality.
Please, read the rest.
I wish fantasy novels offered more political diversity. I adore fantasy, but I’ve begun to chafe at the ironic lack of creativity when it comes to political regimes. The genre may be missing a great opportunity. Or maybe I’m reading the wrong books.
While I don’t really mean this as a criticism so much as an observation, monarchy and feudalism abound in most other-world fantasies. Or the politics are indistinct. Despite my deep love for Tolkien, he falls into this category as well–either political control is unclear in regions like the Shire, or the region is ruled by an absolute ruler. His most well-known series culminates with the return of the benevolent dictator to the throne, Aragorn King of all the Dunedain (granted, there is intentional Christian symbolism here).
Modern fantasists follow a similar trend. Brandon Sanderson’s books, while wonderful, tend to involve worlds replete with absolute rulers. In fact, in the original Mistborn trilogy, a naive emperor tries to impose a more representative system of government, fails, and then decides that a firm hand is what’s called for. He and other authors like Robert Jordan dabble with some interesting political ideas and do provide a great deal of political detail, but they ultimately tend toward absolutism of some variety. Terry Pratchett’s main city-state on Discworld, Ankh-Morkpork, is ruled over by an absolute ruler, but Pratchett at least takes plenty of opportunity to poke fun at the masses’ constant yearning for a noble king to tell them what to do. Really, all these books are splendid, and politics are typically not their centerpiece–I just think some more variety may be valuable to the genre. (I’m not pointing fingers, as I’m guilty of the same problem–my forthcoming fantasy novel takes place in an empire with an absolute ruler and a largely meaningless parliament).
Fantasists could perhaps take a page from their science fiction comrades, where experiments with politics seem more common. Fantasy authors could do more than tinker with small tweaks to the monarchy and mercantilism of a pre-enlightenment age. I can’t help but roll my eyes when I hear Tyrion Lannister on Game of Thrones gushing about how Daenaerys Targaryen is the only person who can swoop in and save the Seven Kingdoms from itself. That’s remedial polisci–surely we can do better. Who wouldn’t want to read about an anarcho-capitalist Iron Islands or a post-communist King’s Landing?
If you have any good recommendations for other-world fantasies that take up this challenge, I’d love to hear them!