Maybe for most English speakers it isn’t even known, but we are in the Carnival week. Carnival is a festive season that occurs before the liturgical season of Lent. The main events typically occur during February or early March. It typically involves public celebrations, including events such as parades, public street parties and other entertainments. I’m unashamedly taking some elements from Wikipedia here to try to explain it. It is basically equivalent to Mardi Gras. Carnival (or Carnaval, as we say it in Portuguese) is a big thing in Brazil. Or maybe not. That’s what this post is about.
Carnival is a Christian feast, at least in its origin. It occurs right before lent. Lent is the forty days that antecede the Passover. The idea was that people would fast (at least to some degree) during the forty days of lent. Therefore, Carnival was the last opportunity for forty days to indulge in some pleasures of the flesh. Carnival literally means “remove meat”, from the Late Latin expression carne levare. “Farewell to meat” is another possible translation. However, carne is not solely meat in Latin; it also refers to the flesh, especially in the Christian association between sin and flesh. Carnaval, therefore, is the feast of the flesh – taken literally or not. At least in Brazil, to my knowledge, the relationship between Carnival, Lent and Passover is little known. I believe that most people just take it to be a major party that happens sometime between February and March.
Brazil is popularly known as the country of Carnival, Samba and Soccer. Of these three, I kind of like the last one. Not so much the first two. To my knowledge, Carnival has always been very popular in Rio de Janeiro, at least since the early 19th century. At that time, it was known as Entrudo, a celebration in which mostly people throw water on one another, like in a water balloon fight. However, there were some improvements: people started throwing some liquids other than water if you know what I mean and that even at strangers. The party was also an opportunity for slaves to poke on their masters. Carnaval eventually became associated with the slaves’ African culture, and I suppose that’s how the Christian origins were somewhat lost. Today, Carnaval in Rio is strongly associated with Samba music.
I haven’t done a very scientific research for this, but to my knowledge, most people in Rio actually don’t like Carnaval. Carnaval is a street party, with all that comes with it: people leave tons of trash behind; people get drunk, and often violent; the music can get really loud and sometimes going on for hours, even into the night. Given the specific nature of the festival, there are people having sex on the street and other things happening as well. It is hard to say this without sounding moralistic, but the thing is that Carnaval ends up being the most anti-libertarian thing one can imagine. If “don’t do onto others what you don’t want to be done onto you” is the golden rule we’re trying to put into practice, Carnaval is the undoing of this.
In the late 19th century, some authorities already realized that the festival was getting out of control and tried to organize it somehow, mostly to no avail. But things really got out of control in the early 20th century. Coming out of the monarchy, Brazilian intellectuals were dedicated to the task of identifying the Brazilian identity. Sérgio Buarque de Holanda made a huge contribution to this with is Roots of Brazil (Raízes do Brasil), in which he said that Brazilians had a hard time understanding and applying the impersonal relationships necessary for a modern capitalistic society. Another major contribution in this conversation was done in 1933 by anthropologist/sociologist Gilberto Freyre in his book Casa-Grande e Senzala (English: The Masters and the Slaves). In this book, Freyre argued that the Brazilian national identity was the result of miscegenation (both biological and cultural) between masters and slaves.
On the one hand, I want to say that Freyre’s argument was revolutionary because he was saying that Brazilians were not an “inferior race” because of race-mixing. Just the opposite: Brazilian culture was permeated by highly positive elements exactly because of miscegenation. Consider that Freyre was saying that in the 1930s, when race-mixing was still a major taboo in the US, not to mention Nazi Germany. But on the other hand, I believe that Freyre contributed to a movement that gave up trying to “civilize” Brazil.
The topic of civilization is always a polemic one because it implies that some cultures are superior to others. I don’t want to go that way. But I also don’t want to be a cultural relativistic. Some cultures are superior to others in some aspects. There is nothing culturally superior in leaving tons of trash in the streets after a street party. There is nothing culturally superior in imposing your music taste on others. There is nothing superior in imposing your take on sexuality on others.
In the late 19th century, some authorities were trying to organize Carnaval in Rio de Janeiro because things were getting out of control. In the early 20th century, most authorities gave up that enterprise because they decided that Rio de Janeiro (and Brazil) is that “mess”. Instead of trying to correct the bad aspects of Carnaval, they decided to celebrate it as the very essence of Brazilian culture. Eventually, into the 20th century, Carnaval became a great example of panem et circenses policy.
I understand that in the early 21st century more and more people in Brazil are getting sick and tired of Carnaval, and that has some connections with politics. Typically (though definitely not always) people on the left want to celebrate Carnaval. People on the right typically (though definitely not always) don’t want to. Some people on the left are already saying that Bolsonaro’s government represents the taking over of government by Christian fundamentalists. I doubt. They may be right at a very low degree. But for the most part, what is happening is that Brazil is too diverse for a single project of nation to work for everybody. Ironically Gilberto Freyre was right: we are the result of this mixture, and this is not a bad thing. People only need to learn to respect the opinions, tastes and preferences of the other elements in this mix.