11 thoughts on “Afternoon Tea: Negress (1876)

    • Caravaggio: The Calling of St Matthew, the Beheading of John the Baptist. Delacroix: The Death of Sardanapulus; Christ on the Sea of Galilee; the Inside of a Harem…. Thanks.

  1. I’m just free associating here, but on seeing this painting, I couldn’t help thinking of the debate between Bernard Lewis and Edward Said on Orientalism. Famously (or notoriously), Said had narrowed the focus of his study mostly to Anglo-American-French Orientalism, ignoring German and Russian/Soviet Orientalism. That focus extended to his very brief comments on painting:

    Said: “Later in the nineteenth century, in the works of [Eugene] Delacroix, and literally dozens of other French and British painters, the Oriental genre tableau carried representation into visual expression and a life of its own (which this book unfortunately must scant). Sensuality, promise, terror, sublimity, idyllic pleasure, intense energy: the Orient as a figure in the pre-Romantic, pretechnical Orientalist imagination of late eighteenth century Europe was really a chamelonlike quality called (adjectivally) ‘Oriental.'” (pp. 118-9)

    Lewis had responded that Said’s omission of German and Russian/Soviet sources was a serious defect in the book. Said claimed that it wasn’t.

    But whether defect or not, it was an omission. You get the sense from reading Said that “Orientalist” painting was distinctive to the Anglo-French encounter with the Arab Near East, but your Russian/Balkan paintings prove that it obviously wasn’t. Not a large or original point, just one that happened to strike me just now.

    • This is basically what I thought when I came across this painting, too. It’s crazy how great minds think alike! (I came across Repin while I was doing some follow-up research on Gogol after I read his Dead Souls.)

  2. This essay mentions a couple of Delacroix paintings of this genre, “Massacre at Chios,” and “Death of Sardanapalus.” “Women of Algiers” is another one, but not as good.


    I don’t think of Caravaggio as belonging to this same Orientalist genre, even though so many of his Biblical paintings are set in the Near East. His Judith beheading of Holofernes looks like a nice Italian girl to me.

Please keep it civil

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s