Have we gotten it out there enough that the obsession with elitist politically correct culture partially lost the Left the election – per Bernie Sanders, per President Obama – throwing plenty of center folks into the authoritarian right?
Here’s an example of the tone-deaf (oops, was that ableism?) reporting style that utterly alienates its audience:
The whole video is done in a patronizing, vicious manner. The reporter might have mistaken the mood of his tirade as sarcastic, or funny, or something. Instead, it comes off as the embodiment of the new, young-leftist carcinogenic (oops, was that ableism?) idée fixe: ostracizing condescension. (“If you don’t agree with me, die.”) In this post-election nation, where Jonathan Haidt’s message of understanding might yet get a chance, videos like this are just tedious.
I was struck not just by the venomous fashion of the sketch, but its utter lack of depth that has become familiar in most comedic reporting since the election. Moreover, the entertainer Dylan Marron clearly misunderstands one of his own vital points. He writes off disability method acting (in films, not just Trumpian impersonations) as “ableist,” making me wonder if he understands the purpose of acting. That purpose is to portray someone you are not, and do a good job. Marron stresses the point: “witness Arts academies honor able-bodied actors over and over again for pretending they have a disability.”
Yes, acting is also known as pretending. For a tautology, Marron thinks it packs much more of a punch. There is a reason disabled people don’t often play disabled roles, and it’s not just because most celebrities – with a great many exceptions – are able-bodied, physically and mentally. Actors aren’t hired to portray who they actually are, unless it’s a biopic, and the more difficult the role, the better the acting. Marron, it seems, wants a world where actors must portray their actual, own lived experience. Hollywood directors need to recruit genuine serial killers for their horror films. In essence, the abolishment of acting.
Portraying a character with a disability is a role every good actor should be capable of executing. Celebrities get roles portraying disabled people because they’re good actors, and there’s nothing ableist about it. Tom Hanks won the Best Actor Academy Award because the character of Forrest Gump was a difficult one to convey. Doesn’t actively seeking someone who is developmentally challenged, just to put them in a feature film as a mentally-disabled character – as a token – seem far worse than recruiting someone qualified with good acting talent to take on the role?
In case you think Marron doesn’t actually want an end to all acting, ever, Marron stresses, again, that actors are taking on a role “they’ve never lived” when they portray mentally-challenged individuals. In other words, they’re acting. Not just acting, but acting well. Boom, take that, you ableist scum!
Here, a point could be made that Marron doesn’t even bother to observe: if actors have never lived life disabled, isn’t their research on the role going to be informed by vicious stereotypes and come off as derogatory or insensitive? Now this actually is something to be concerned about. Directors and actors should, certainly, consult people with actual intellectual or physical disabilities when they feature these roles in their films, for the sake of decency and realist guidance. Good information should be researched rather than baseless stereotypes about what it means to be bipolar, or autistic, or depressed, or what have you.
This also answers a potential rebuttal of my post: if actors can portray any role, even if they haven’t lived that experience, what’s the problem with “blackface”? It’s simple: the difference is that blackface, and acting as a different race or ethnicity, is informed by vicious stereotypes. It’s been abandoned by Hollywood because it was genuinely racist, and based on ethnic clichés. Thus, the difference between Tropic Thunder‘s “Simple Jack” and Forrest Gump: one actually attempted to portray a mental disability, realistically, and one played off vulgar stereotypes (ironically, of course).
In the world of this marronic sketch, The Dark Knight would never have been filmed. A Beautiful Mind, Fight Club, Psycho would never have been filmed. Donnie Darko would never have been filmed. Benjamin Button would never have been filmed (not so bad). The obsession with politically correct culture already gave us Trump, and nonsensical videos like this are essentially advertisements for his re-election. Don’t take away our cinema too.